Joe Mount is a Sydney based British Australian Sound Designer, Sound Editor and Re-Recording Mixer, with over 20 years experience in the Amsterdam, London and Sydney audio post production industries.
Starting his career in London, Joe spent 14 years at the legendary Wave Studios London, learning his craft under the acclaimed sound designer Parv Thind and the future Oscar winning sound designer Johnnie Burn, worked for numerous world class directors (including Rupert Sanders, Johnny Hardstaff, Guy Ritchie, Johnny Green and Andy McLeod) and won multiple awards including two D&AD Wood Pencils (for Audi ‘Satellite’ and Prometheus ‘Transmission’) and a D&AD Graphite Pencil (for Skoda ‘Giggle’). Feature credits during this period followed for McCullin, Under the Skin and The Lobster, as Johnnie Burn developed Wave’s film department.
After relocating to Sydney in 2017, Joe’s credits include sound effects editor for Poor Things, Porcelain War, Tuner and The Zone of Interest, dialogue editor for Hurry Up Tomorrow, Kinds of Kindness, and 28 Years Later, re-recording mixer for the feature documentary Ithaka and the television series Exposure, and sound designer and sound supervisor for Peter Skinner’s debut feature Two Ugly People.
Recently completed work includes credits for sound effects editor on Alejandro González Iñárritu‘s Digger, and sound designer, re-recording mixer and sound supervisor for Hold Still, the upcoming debut feature from Orla Doyle.
Joe works in-house and remotely for a number of advertising and film sound studios in Australia and the UK, while also independently delivering projects ranging from short films to features, mixing all formats up to Dolby Atmos.